Janine's father was boyflower
corn-row head
with black-thought polyps
atop a reed body
that sang the winds
as they blew through him
and grew him up
smile ran curves around you like a pinwheel
with windmill power revived
th' inner child you swallowed
after your third job,
and made it dance,
feets tickled your throat,
made you laugh, love him,
entire rooms sighed and shrank when he left:
he'd lifted them into
2-story juke joints bouncing
with the electric piano keys of his gapped-tooth smile,
at the cost of an old joke
the old folks felt like geniuses
and the TV sat alone in its own shadow
quiet and pious
like a stabled horse at Bethlehem
Janine's father
liked church as much as mosque and temple
as much as the dusty books found
in the room kept closed for grandma's soul,
thought it funny adults created safe-houses
for their ideas
as if dreams
would collapse after the first grass-stain
couldn't stand to bruise,
...or breathe...
...or bleed....
...or wake, or dream, or sleep...
like ideas weren't strong because the flesh
that dreamt them was weak
this was different from the planets
of back blocks & abandoned lots
where he and his friends dynastied make-believe
made law out of laughter
he spied on Earth
from behind dandelion satellites
and decided that the young talk in song,
learn in poetry;
the old speak in verses,
remember in story;
together we are all the Bibles, the Illiads,
Upanishads, Korans and Torahs
('cuz) sometimes we do flood
and must drain
to bring our seas and lands to balance,
we are mythmaker
as well as myth
watch & watchsmith
sandmen and sandwomyn
lives spent in Exodus,
there was a summer,
when girls smelled of uncharted/undiscovered oceans
that the winds loosed Janine's father's corn-row thoughts
into an afro-halo
pushed his bamboo-ing body high
saying "look"
tall as a pegasus leap over a rainbow's arch
in a sick staccato wandered
a crooked giant
zipper-faee stretched (street-length)
sectioned into office-windows
leaking human skin into
a candlewax pyre of firsts:
kisses,
fist-fights,
sunsets, secrets,
"look,"
the winds rippled through him in
sounds felt more than
heard, bouncing through corridors
of bones,
making words
"People are used here,
they are burned"
and Janine's father asked
"but are we not truly the phoenixes
of our own legend?
mustn't we burn -
to rise again,
diamonds?"
and the wind blew,
and he saw the bodies slumped (in chairs/over desks)
like tortured wicks,
the faces sagging
like used cigarettes
(and he knew)
"this is how you kill a phoenix:
consume its flame"
he never heard the wind again
removed his halo as a warrior
surrenders a headdress
breaking it into pieces like
bread crumbs for the last supper,
swallowed it:
a marooned sailor downing his rosary,
waiting for hell. it came.
because this is how I knew Janine's father:
a canon-face
attached to a Lay-Z-Boy in the evenings,
launching words like bullets
carried on Budweiser breezes,
aimed at Janine's mother 'till Janine said she's leaving
every time I see him I wanna leave him leaking
Janine just says "take it easy"
she says
"I see you men
walking in these circus tents of tensed muscles
clenched fists
propped up jagged by rage and lust and powerlessness
all ready to kill
all ready to tip over"
and she says
"something really takes the bones out of the men of this place"
the other day
I planted flowers for every boy who used to be one.
with reed bodies that once sang the winds
as they blew through us
and grew us up
until the world
rended of us bone, gave us bullets,
and demanded we be tough.
for every song swallowed,
for every phoenix smoked,
Janine and I hold hands
and in the dirt we plant new myths
(David Scott of Sacramento, CA authored this amazing piece. David is a talented writer, performer, actor, and community organizer)
No comments:
Post a Comment